Dvorak was excited to come to America when the invitation first came, but after three years — and many ups and downs — he was tired of the city, of the hectic schedule, and of not being able to write ...
The Cello Concerto was the last of the three scores Antonín Dvorák wrote during his three-year residency in the U.S., when he served as director of the National Conservatory in New York City from 1892 ...
Antonin Dvorak composed “Concerto for Cello and Orchestra in B Minor” in 1894. But the cello on which this piece will be played on Saturday and Sunday, April 9–10, in Grand Junction is older than that ...
Grammy-winning cellist Zuill Bailey is returning to the Corridor to perform two Dvorak works with Orchestra Iowa on Saturday evening, March 23, 2024, at the Paramount Theatre in Cedar Rapids and ...
Add articles to your saved list and come back to them any time. This concert began in light-winged frivolity with the only work by Reznicek you are ever likely to hear, but it ended with a stark, grim ...
Performances in N.Y.C. Advertisement Supported by Critic’s Pick A young star made his New York Philharmonic debut in an evening of bold, charismatic musical storytelling. By Joshua Barone It takes a ...
Cellist Zuill Bailey says he's getting ready to take on two of the biggest and greatest works in the classical repertoire over the next several days in Little Rock. Bailey joins the Arkansas Symphony ...
Weilerstein has followed the path of some of history's great cellists by recording the Dvorak concerto The Dvorak Cello Concerto is one of the most performed, and most recorded pieces for the ...
Simply sign up to the Life & Arts myFT Digest -- delivered directly to your inbox. Singing in her native Czech, Kozená transmits a soulfulness that she rarely summons in other repertoire. It’s a ...
The Chattanooga Symphony & Opera continues its new Unspoken: Our Stories Through Sound arc with "a deeply evocative program rooted in remembrance, resurrection and the redemptive power of music" on ...
The Dvorak Cello Concerto is one of the most performed, and most recorded pieces for the instrument. Since its premiere in 1896, it has drawn some of the world's greatest instrumentalists into its ...