Lovers of classical music will get a chance to hear pieces by Wolfgang Amadeus Mozart on the instrument he and other eighteenth century Austrian composers used next week. MORE EVENTS Cherry Blossom ...

You are able to gift 5 more articles this month. Anyone can access the link you share with no account required. Learn more. Pejepscot History Center will present Vienna-based Daniel Adam Maltz ...

In 1777, when Wolfgang Amadeus Mozart was 21 years old, he wrote an enthusiastic letter to his father describing a newly popular type of piano. Bartolomeo Cristofori in Florence had constructed a ...

There have been fortepianists before Ronald Brautigam and Kristian Bezuidenhout upon whose shoulders those two might be said to stand. But none had managed so convincingly to bring the fortepiano into ...

Kristian Bezuidenhout’s superb fortepiano recital in the Boston Early Music Festival concert series highlighted a paradox in the period-instrument movement. The attempt to re-create the sound of a ...

His latest project is a recording of Mozart’s complete piano sonatas, out Friday, on the ECM label. It is the first such set to have been recorded on Mozart’s own fortepiano. “Mozart is . . . the ...

Add articles to your saved list and come back to them any time. Francesco Corti is one of the few people to have played Mozart’s own fortepiano. One of the world’s leading harpsichordists, Corti is ...

The beautiful notes of Joseph Haydn and Wolfgang Amadé Mozart filled the Miller House parlor last weekend as Daniel Adam Maltz, a fortepianist based in Vienna, Austria, performed for the Washington ...

The instrument's slim legs and trim body make it look like a harpsichord - until pianist Timothy Hester starts to play. The sounds that emerge don't have the harpsichord's jangle or the modern piano's ...

Violin Sonata in E Minor, K. 304: Mozart: Violin Sonata in E Minor, K. 304 - I. Allegro Violin Sonata in E Minor, K. 304: Mozart: Violin Sonata in E Minor, K. 304 - II. Tempo di minuetto Violin Sonata ...

Performances in N.Y.C. Advertisement Supported by Critic’s Notebook Robert Levin has long argued that Mozart would have made up new material while performing, and he follows the master in a series of ...