Though Guillermo del Toro’s 1997 American studio debut Mimic was a notoriously unpleasant experience, the silver lining of ...
High in the Pyrenees, a centuries-old way of life approaches its twilight amid a controversial rewilding scheme. France’s ...
If last year’s Maryland Film Festival felt like a trial run for a new era of Baltimore’s cornerstone film event, the 26th ...
Mario Patrocínio’s Maria Vitória is the writer-director’s first narrative feature, but it brings the chops of his documentary ...
Andres Veiel’s “Riefenstahl” is an arresting and deeply disturbing all-archival portrait of the titular Third Reich ...
“Her Archive Was Kind of a Trail… A Filmmaker’s Trail”: Alan Berliner on his DOC NYC-debuting BENITA
Benita may not have left a note when she took her life, but her archive was a kind of trail — what I call a “filmmaker’s ...
In 2021, the Tokyo International Film Festival decided to leap out of mediocrity. It was, acquaintances told me, previously ...
The nonprofit Sundance Institute today announced in a press release details for the 2026 Sundance Film Festival’s annual ...
Documentary filmmaker Lynn Sachs on her latest, “Every Contact Leaves a Trace,” in which she remembers seven life-altering encounters.
Since premiering at the Berlin International Film Festival in February, Butter on the Latch and Thou Wast Mild & Lovely, the remarkably assured debut feature-length films from Josephine Decker (one of ...
In the 1999 mini-series Storm of the Century, a malevolent stranger (played by noted Canadian Colm Feore) shows up outside Stephen King’s longtime fictional community of Castle Rock and repeatedly ...
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