Though Guillermo del Toro’s 1997 American studio debut Mimic was a notoriously unpleasant experience, the silver lining of ...
High in the Pyrenees, a centuries-old way of life approaches its twilight amid a controversial rewilding scheme. France’s ...
Mario Patrocínio’s Maria Vitória is the writer-director’s first narrative feature, but it brings the chops of his documentary ...
If last year’s Maryland Film Festival felt like a trial run for a new era of Baltimore’s cornerstone film event, the 26th ...
“Her Archive Was Kind of a Trail… A Filmmaker’s Trail”: Alan Berliner on his DOC NYC-debuting BENITA
Benita may not have left a note when she took her life, but her archive was a kind of trail — what I call a “filmmaker’s ...
Andres Veiel’s “Riefenstahl” is an arresting and deeply disturbing all-archival portrait of the titular Third Reich ...
In 2021, the Tokyo International Film Festival decided to leap out of mediocrity. It was, acquaintances told me, previously ...
The nonprofit Sundance Institute today announced in a press release details for the 2026 Sundance Film Festival’s annual ...
Documentary filmmaker Lynn Sachs on her latest, “Every Contact Leaves a Trace,” in which she remembers seven life-altering encounters.
One Battle After Another, Familiar Touch and If I Had Legs I’d Kick You are among the multiple nominees for the 2025 35th edition of the Gotham Awards, announced today by The Gotham Film & Media ...
“The film isn’t about you,” Joanna Arnow tells her parents at the beginning of 2013’s i hate myself :). “You’re secondary characters.” Her mother Barbara responds, “We know who the primary character ...
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